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In 2024 Hannah completed her teacher training at The Archbishop's school in Canterbury and travelled to Uganda to deliver workshops at the Remand Centre with the charity Jenga. Her artwork through this experience has been heavily influenced by the spirituality she found in the connections between peple in Uganda and the authenticity in the volunteers she met. This trip was followed by a personal investigation: visiting Athens, to further explore her understanding of the Parthenon marbles and their original cultural context. Facing divisions within herself: her ability to be authentic, her convictions with regards to christian faith, and her desire for the Parthenon marbles to be returned combined with her personal love of visiting them in their current display in the British Museum, Hannah dwelt on the in-between truths. She created artworks that do not attempt to explain these hyperboles, but rest in a lingering state that showcases a deeper truth of existence in their flux.

October 29th - November 2nd 2025, 11am-6pm
Joseph Wales Studios
Taken from the stage play, Amadeus, the full quote: 'Goodness is nothing in the furnace of art.', is said by the bitter rival of Wolfgang Amadeus Mozart: Salieri. He committed his chastity to God in exchange for musical prowess, only to see the promiscuous and immoral Mozart create artistic perfection.
Programmed 'goodnesses' within cultural capital, identity, romance and religion lead to blind spots and in-authenticities. Goodness is Nothing challenges them by showcasing the messy authenticity found in unravelling 'goodness' from authentic experience communicated in the body.
GOODNESS IS NOTHING
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