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In 2024 Hannah completed her teacher training at The Archbishop's school in Canterbury and travelled to Uganda to deliver workshops at the Remand Centre with the charity Jenga. Her artwork through this experience has been heavily influenced by the spirituality she found in the connections between peple in Uganda and the authenticity in the volunteers she met.  This trip was followed by a personal investigation: visiting Athens, to further explore her understanding of the Parthenon marbles and their original cultural context.  Facing divisions within herself: her  ability to be authentic, her convictions with regards to christian faith, and her desire for the Parthenon marbles to be returned combined with her personal love of visiting them in their current  display in the British Museum, Hannah dwelt on the in-between truths.   She created artworks that do not attempt to explain these hyperboles, but rest in a lingering state that showcases a deeper truth of existence in their flux. 
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In 2024 Hannah completed her teacher training at The Archbishop's school in Canterbury and travelled to Uganda to deliver workshops at the Remand Centre with the charity Jenga. Her artwork through this experience has been heavily influenced by the spirituality she found in the connections between peple in Uganda and the authenticity in the volunteers she met.  This trip was followed by a personal investigation: visiting Athens, to further explore her understanding of the Parthenon marbles and their original cultural context.  Facing divisions within herself: her  ability to be authentic, her convictions with regards to christian faith, and her desire for the Parthenon marbles to be returned combined with her personal love of visiting them in their current  display in the British Museum, Hannah dwelt on the in-between truths.   She created artworks that do not attempt to explain these hyperboles, but rest in a lingering state that showcases a deeper truth of existence in their flux. 

2024

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